Argyll and the Clyde from the Whinhill in Greenock

from-the-whinhill

Often I drive past this wonderful view of the Clyde and Argyll with its rough landscape. This week I couldn’t resist stopping and taking this view with my ever present LX3. I braced it on a fencepost to steady it for this view. The foreground is a cemetery. the large crane marks the docks where the QE2 and other ocean liners berth, and the peninsula opposite is the Rosneath peninsula. I used to work in a school near this spot and my classroom looked out over this view; how lucky was I?

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Exhibition

poster-frontposter-back

I’m really looking forward to seeing the 100 prints in the cafe’s space, if you happen to be in the area I can attest that their coffee and baking won’t dissapoint regardless of how the pictures go down!

I really like Martin’s portrait as a background for the poster. Nice and simple, direct and engaging.

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Ratnadevi

ratnadevi

Meeting Ratnadevi was a lovely and thought provoking experience. She had studied for a doctorate in art and was really interesting to chat with about art. She gave me some great insights into why I was doing the “100 portraits” project. This would have been my second choice of portrait from that session. The painting with the symbols behind her is one of Ratnadevi’s own works.

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Little Lessons 4: Control your compact: Exposure: Metering

So you have followed the last few lessons and you feel confident that you can keep your subjects sharp and you can adjust the exposure  using exposure compensation. If you only want to take slightly more control of your compact, then you’re there, and your pictures will be much better. Last week though, I said I would show you an alternative way of adjusting exposure. For some of you that will be useful because you are just interested in more control. Perhaps the exposure compensation control isn’t a feature of your camera, or perhaps it’s incredibly hard to use or find. Your alternative is to learn about “metering modes”.

Remember that not all compacts will have all functions, but if your compact has metering modes they might include the following. Their symbols might be a variation of these:

  • Evaluative or Matrix mode

evaluative1

  • Spot Mode

spot

  • Centre weighted or Partial Metering mode

centre-weighted

This all sounds a bit complex, and you are probably wondering how it links to exposure. Well putting it simply, your camera will be in “evaluative” mode by default. When your camera looks at a picture, it splits its sensor into an imaginary grid of sections. (often 35). It looks at the brightness across all of them, and tries to make them spread evenly between the brightest, (near white), and the darkest, (near black).

evaluative-grid

If the scene has a person in it, and the camera fails to prioritise the brightness of that grid section, then the face would be too dark or too light. If there was a sky behind filling half the sections, then the camera will tone down the overall brightness to keep the average brightness from being too high.

girl-in-pic-grid

In the picture above the girl’s face may be the most precious thing in the universe for you, but to the camera it is just about one percent of its sensor surface and not even a whole grid section. If its intelligent programming spots that this is a person, then it might prioritise that grid section, if not then tough cheese. (Most cameras still get this wrong a lot of the time).

This is where spot metering and to a lesser extent, centre-weighted metering come in. If you switch to these modes, you tell the camera precisely which section or sections of the grid to treat as a priority. It will then set the brightness based on what is at that section.

spot-grid

In the following centre-weighted, all sections are used but the red, centre ones carry more importance than the outside ones.

centre-weighted-grid

This means, that in spot mode, you simply hold the centre focus point over the object you need to be well exposed (a face perhaps), and the camera will meter from that section alone in spot mode, or it will prioritise that general area in centre weighted mode. This will ensure that the object you focussed on gets the right brightness and detail regardless of the rest of the scene.

p1000532

p1000533

If I was just getting to grips with my compact, and it had all 3 modes, I would simply use evaluative or spot mode. Choose spot mode when the exposure is wrong in its default evaluative mode, select the focus point, and that will fix your exposure. A bit more complex than the simple exposure compensation, but for many people depending on the camera, this is more suitable.

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Ben Dubh walk: Loch Lomond

I went walking with friends today up the incredibly cold Ben Dubh above Luss. With wind chill, (and there was plenty of it),  it was bitterly cold and way sub zero at the top. All layers were on! I carried my 40D and my LX3 on a waistbelt on my rucksack and despite the flat and unexciting light, tried my best.

First the 40D pictures: (all 17-85 f4 IS)

Catherine on Ben Dubh

Gerry on Ben Dubh

Catherine and Gerry on Ben Dubh

Catherine Gerry and Elisabeth on Ben Dubh

And now 2 from the panny: (both full 24mm wide angle)

Descending Ben Dubh in winter

Loch Lomond from Ben Dubh

I hope to thaw out soon.

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