Rosneath Rainstorm

Rosneath Rainstorm

This is the River Clyde from the water’s edge at Kirn by Dunoon. The landmass jutting in on the left is the Rosneath peninsula from Argyll between two naval bases. The land on the right is Greenock and Gourock in Inverclyde. I was amazed to see a downpour happening in Rosneath while Greenock was dry. These were amazing clouds. I snatched my LX3 from the car hopped down to the beach and grabbed a few handheld and wide at 24mm. Aperture closed down to f5.6 (small for the LX3 sensor) and ISO on 80. I was delighted to get 1/800th of a second as a result; yay, spring must be here.

For the pixel peepers, there is still some noise at ISO 80, not bad, but it’s there.

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Crysanthemum

img_1678

It’s been one of those days when it’s rained constantly in true west coast of Scotland style and so I wasn’t able to take any photographs even in passing. I have been busy preparing and printing cards for the 100 portraits exhibition which starts at the weekend so I hope you’ll settle for an old picture of a Crysanthemum to help us all think summer thoughts. Roll on the sunshine, I hear it will be a Tuesday this year:-)

Taken on my previous camera, my 400D, wide open at f2.8 on the Macro lens.

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Roslyn

Roslyn

Roslyn was the 9th person in my 100 portraits project last year. She was chosen by Ossian. I enjoyed photographing her red hair against the wood of the stable doors where we met. She was great fun and a really easy going subject. The bright sunlight that day would have been hard for me to deal with since I was only beginning to understood the inability of the camera to cope with direct sunlight, and I hadn’t started using a diffuser to help. Thankfully the stables had two great things going for them:

  1. There was an overhanging roof  all around which Roslyn was underneath and therefore in shade.
  2. There were white walls all around reflecting and diffusing the bright sunlight so Roslyn was well lit even in the shade.

This would have been my second choice.

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Book Review 1: Minimalist Lighting by Kirk Tuck

minimalist-lighting

I suddenly realised a few days ago that despite the fact that I have a fair sized collection of books about photography technique, this is the one that I pick up most of the time.  If you’re into portrait photography then you’re into controlling the light on a scene. If you have nice natural light then you do that with positioning and reflectors, if you dont then you have to add some of your own. This book is an inspiration on the subject of using portable flashguns (strobes if American) to control the light.

  • It covers the general principle of using light remote controlled flashes to carry an effective lighting rig with you in a large camera bag.
  • It explains the use of light softeners such as softboxes and umbrellas.
  • It explains the positioning of your main subject flash or flashes.
  • The use of coloured filters on flashguns to match a room’s primary light source. e.g Tungsten, fluorescent etc.
  • It goes on to explain the use of extra flashes to light dark areas behind your subject
  • Portable flash stands and lighting clamps are covered

The final section of the book has some interesting lighting case studies where Kirk talks us through the real life problem solving and flash placement he used on a number of real photo engagements.

If you are into photography and looking to develop your use of flash photography to control light, then this book is fantastic. I’ll continue to pick it up more than the others until I feel I really understand the topic. That will continue to be easy since it’s written an a readable style.

Readability: **** Written in a relaxed friendly style.

Usefulness: ***** Basically this is the distilled basics from the “strobist” website. Concise and comprehensive

Illustrations: ***** Really filled with examples and diagrams explaining visually what you need to know.

Check it on Amazon

Kirk Tuck’s blog

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Ossian

This was almost my first choice of picture of Ossian from last year’s project. I was persuaded that althought this was the most interesting or unusual picture, the one I actually went with was a more pleasing picture of Ossian himself. That was the right choice since a portraitist is trying to take pictures that the subject will like rather than pictures to please the vanity of the photographer. Now that my blog allows me a vehicle for my 2nd choice I’ll post Ossian’s. Ossian was always up for a portrait in this tree!

ossian

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