Little Lessons 2: Control your compact: Focussing

Compact cameras are generally fairly powerful tools these days. Like all tools, getting the best out of them requires you to know how to use them. I’m not talking about deep photographic expertise here, but just a little knowledge that will go a long way to improving your pictures.

I had a great conversation with a couple of my dearest friends this summer when they were getting some pictures on their Fuji compact on an alpine holiday that were too bright or dark or perhaps in poor focus. Over a beer in an alpine hut I showed them the two simple things that they needed to do to get better pictures. (I tried not to bore them too much). They tell me that they have made extensive use of these two simple things since then and that they have been enjoying their photography all the more since; they feel more in control of their compact, they are getting fewer disappointing pictures, and they have avoided learning anything more about cameras than they need to know.

In this entry, I want to discuss the first and most important technique for taking control of your compact:

Controlling the focus.

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In the picture above, I’m not sharp but the background is. The camera has guessed that the centre of the scene is the priority and focussed on the boats and mountains.

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Here is a picture a moment later to show me sharp for comparison, as my wife intended.

Have you ever photographed someone you really wanted a picture of, and found that they weren’t as sharp as the tree behind them, or a different person in the scene? This is the most common problem with a compact camera on “auto” mode. It tries to intelligently guess what part of the scene you would like to be pin sharp, and sets the focus on that point. Unfortunately, even the most expensive compact camera isn’t as intelligent as you are, and simply can’t always guess what your subject is. As long as you let the camera decide for you then some of your pictures will disappoint you by having your subject out of focus.

So what do you do about it? These days there are three focus modes built into most compacts:

1.  Auto or intelligent focus: This is the one that causes the problems, it decides, and it does get it wrong a lot. If you really don’t care about nailing the person or item you might not get to photograph again, then leave it in this mode and take your chances.

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2.  Manual or centre Focus: In a compact this means that the “auto or intelligent” focus is switched off. This will almost always give you a simple focus point in the centre of your screen. When you press the shutter button half way, the camera will focus on that centre point while you hold the shutter half way down.

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3.  Face detection: This is the latest and very useful thing, but it shouldn’t be left on all the time unless you only ever take party or people pictures. It automatically detects faces in the scene and tries to ensure that they are all in focus. That may sound great, but there are times when you only want your husband’s face in focus, and the other people at the party, more out of focus. You can do that so much better without “face recognition”.

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So my simple rule for you is this:

To control your focus and get the subject sharp EVERY TIME without your camera messing up for you, choose the second option: manual focus or “intelligent” or “face recognition” off. The technique now is simple. Place the subject at the centre of the scene, half press the shutter button until the camera indicates that it has locked focus, now KEEP HOLDING THE BUTTON HALFWAY DOWN while you move the camera a little to compose the scene the way you want it. (You might not want the subject in the centre.) When you are ready, assuming the subject has stayed still, press the whole way and take the picture. This is called “focus and recompose”.

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In the above picture, I have focussed over the moggie’s eye, I am holding the shutter half-pressed, and I can slightly move the camera until the cat is where I want it in the frame.

If you focus and recompose, you will always choose what is in focus, and as long as you keep your finger halfway pressing the button, your chosen subject will stay in focus. Practice this with your compact and you will get the right part if the picture sharp every time.

Note: Every camera has a different menu, and may use different wording for the focus settings. If you can’t figure them yourself, ask a photographer friend to look for you, or take it into your local camera shop and ask for their help with it.

Next lesson: We’ll look at the second simple technique, controlling exposure.

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Gillian

gillian1

Sadly as I revealed in my “lightroom corruption” entry I have lost  a lot of the original session with Gillian to corruption. This is my favourite from what I could rescue other than what I chose already from my original project. I must say it’s fun on a rainy Sunday going back and looking at no. 3 from my 100 portraits project again. Gillian’s blue eyes are astonishing; yes I have pushed that aspect in post processing, but they are amazing even without that.

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Cara Dillon and Sharon Shannon

Cara Dillon and her band:

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Sharon Shannon leaving the stage:

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Sharon Shannon and her band taking a final bow:

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First concert attended at the wonderful Celtic Connections festival in Glasgow.  I had the Panasonic LX3 with me and although it has only 60mm equivalent focal length and our seat was a good bit away, I thought I’d test its low light capabilities. This was a dark hall, but the LX3 has f2.8 at the long end and I used ISO 800. That only gave between 1/10th and 1/15th of a second so serious sharpness was never likely, but capturing some atmosphere was my hope.

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Wilma

wilma

I must be becoming more confident with my portraiture. My stylish colleague Wilma was on the phone on these stairs today at work, and I asked her if I could take a picture of her. She kindly agreed and we reproduced her natural pose an hour or so later. While setting up the shot, her phone went, so the chat is for real.

Check the threads:-)

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splash

splash

My lunch today was by the Clyde in Dunoon where I was working. The wind was strong enough to rock my car around and the waves were crashing all along the promenade. I wanted to take a picture but it was impossible to stand anywhere on the promenade without getting soaked. I cheated by driving my car to line up with this beach access stairway and rolled down the window. I still got large amounts of salt water in the car. I only had my work Canon G7 in the glove compartment, so no Raw files available, jpeg only. I used the flash to try and make the water sparkle; I then pushed the processing to make it a little surreal and oversharp.

Just a bit of fun in wet and wild Scotland in January. I hope you feel sorry for me having to get on the ferry to cross the Clyde a little while later!

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