Eva

Eva:     Brave, problem-solver and passionate reader.

This is my lovely friend Eva from Poland. We finally got around to doing a long spoken about portrait on Thursday of last week. The sun was strong and bright and Eva had chosen a spot by the river near where she works. I decided to put the exceptionally strong light behind Eva and to fill in her face with light from a remote flash on a stand to make it manageable for me.

This next one had no flash, and so Eva’s face is less detailed, but the backlit and low contrast effect is really nice anyway.

Flash again, and Eva looking really relaxed. I couldn’t decide whether to use this in colour, or in “creamtone” black and white, so I have taken the unusual step of posting both versions. Please let me know which one you prefer?

Just for a change folks, all these favourites on my 50mm f1.4. I’m in danger of doing what the orthodoxy suggests for portraits.

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James in Crinan

I was in Crinan for a coffee and to enjoy the amazing light and location last Friday with my friend James. As soon as we saw the light hitting the boats (on a loch that James had fished when younger), we had to go to the waterside to enjoy the view. I had had my camera over my shoulder for half an hour by then and was able to indulge 5 minutes of photographing with James at his most relaxed.

The warm low light has saturated the colours beautifully, and the strong colour contrast between the blue of the water and James’s red hoodie and  striking hair colour, has made this portrait.

f6.3 1/200th My beloved 28mm Sigma.

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A wee Puss Puss and a Handsome Doggie Woggie

Nothing much to say here. Misty is a beautiful Maine Coon, and Finn is a handsome retriever. Prime lenses, high ISO and no flash. Aren’t they adorable.

That’s all folks. Aren’t they gorgeous portrait victims.

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The Viper Parade 3

I was at the Winnock Hotel last Saturday to hear my new acquaintances, The Viper Parade play. It was a cramped pub gig, with the usual poor lighting conditions, and the usual pile of amplifiers and speakers in the way of the best shots. Out of consideration to the good folk of Drymen, who were enjoying a great gig, I confined myself to 5 minutes of snaps with my 28 mm f1.8 prime and 50mm f1.4. These were all between 1000  and 2500 ISO. Regular viewers of my blog might notice that the Vipers had a new bassist, standing in for an injured “Refugee”. I thought I’d start the post with the new boy:-)

And once again the front man, Mike Ritchie.

Yet another of the lead guitarist, Cisco.

The endlessly cheerful, metronomic madman known as “Breeks”

Just one shot to show the band all together. Good gig guys, I thoroughly enjoyed it!

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Malta

I’m never sure to what degree I want to say anything too personal on my photo-blog. The truth is that this hasn’t been a great year; my dad died this year and my poor mum is in care now as my dad was her full time carer, (she has dementia sadly). A dear friend and I, who has her own recent changes to contend with, decided to have a relaxing week abroad together. with the help of a friendly travel agent, we chose Malta as we didn’t fancy the sun-lounger-on-the-beach number. The other three or four options we were shown all featured this. Malta was a good choice, interesting and vibrant.

This is the view from the hotel we stayed at in Sliema in Malta last week. This is the old town of Valetta. Photographically, the difficulty with this is the blank water foreground and the blank sky. It is dramatic that the city is so beautiful and it screams “please put me across the central third” , the problem is the blankness of sky and sea inlet; I waited from the hotel balcony for something interesting to break the blank water and was rewarded with this trio of powerboats. Suddenly an interesting picture! For the record as an ex sailor (failed) I hate powerboats – the antithesis of green transport).

Another view of Valetta, but with the apartments at Tigne Point, Sliema included.

In the foreground is an amazing pavement/walkway to the shopping centre at Tigne Point. It was only from the water that I realised it looks like a crane; it is a lovely piece of design that is (pleasingly) more than was necessary. With a wide angle lens it makes a great foreground for another view of Valetta.

The Maltese photographs found on a web search typically  include lots of doorways and old-style buildings; I wish I was so original that I could make an exception. (Oops, so sorry, the clichemeister strikes again!)

The compression of a telephoto zoom at 140mm!

This is the vibrant harbour of Sliema with two striking but elderly ships at mooring. A telephoto shot with my 70-300 mm lens at full stretch brings them magically close to the shoreline.

 

And here are three evening views with my 50 mm f1.4 of the old town of Mdina

Malta is of course Justly famous for its elderly and characterful buses: (17 – 85 IS)

The challenge for a photographer with these buses is that the recognisable, straight from the front views are best to identify the colourful buses. The next two are a necessary step for this photographer; after the simple, recognisable, symmetrical shots, two different sections of the bus, add interest.

Another day in Valetta, and the amazing buildings are worth capturing.

This one is all about the textures and warm tones; any photographer who can walk past this is stronger than me!

Valetta is big on festival decorations, these are typical for the time that we visited. These enclosed balconies are classic Malta.

I was brought up in Catholic schooling, although I never liked it. I always joke that a Lapsed Catholic or a never-really-took-to-it Catholic like me can particularly appreciate the over-the-top nature of Catholic symbols. If you see this symbolism like me as being south of tasteful, then you’ll love the Maltese examples; this is one of the more understated ones.

 

I’m afraid that I can’t resist a cute animal. This little puss, resisted my advances, and I had no opportunity therefore to tickle its ears. Its a cutie.

My friend spotted this picture, I stole the idea and tried to do it as best as I could. I might go to hell for this blatant theft. Aren’t these British artefacts amazing in the Mediterranean? The 50mm 1.4 wide open helped single the postbox out from the background. Although centredness generally should be avoided, when the background shows symmetry, you are better placing the subject as perfectly in the centre as possible.

Another classic Valetta scene. A grab shot with my fast 50mm f1.4 wide open. My friend pointed out how odd the horses leg position is. I have to say, I feel for the horses working in this heat.

The traditional boats in Malta sport this paint job. This one is a tourist-boat in Sliema.

 

The genuine traditional style boats in the fishing village of Masaxlokk.

These are the background buildings in Marsaxlokk with the coloured boats in the foreground. All distances compressed by the 300 mm lens, fully extended.

 

 

A close up of the apartments at Tigne Point from the hotel balcony. I love the shapes and the sheer exuberance of the design.

Valetta again from an evening boat trip with the sunset beginning to colour things beautifully.

 

 

Ralph.

With Theresa

One of the real appeals of Valetta is the plethora of old-fashioned shop signs. Dig this!

This was the caricaturist working Valetta’s main street, and yes we did in case you are wondering?

 

 

Malta was a lot of fun, don’t hesitate if you fancy a visit, but a high hotel room overlooking the old town is to be recommended.

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