Burning Bracken

While  driving back from a visit to Tarbert by the desolate Carradale road, we chanced on this scene. No one was around and so it was impossible to know if it was deliberate or spontaneous? I took 5 to 10 minutes photographing this with the car stationary  on the single track road and no one passed by! That’s desolate. The water beyond is Kilbrannan Sound which divides the Mull of Kintyre (where we were) from the isle of Arran.

Actually, this might have been an interesting option for the recent tree round in the APOY contest!

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Which Inside a Building Picture?

OK, I need your help again. Its round 2 of the Amateur Photographer of the Year competition. The results for round 1 (trees) were in Amateur Photographer magazine today and yours truly didn’t feature in the top 30 that they published. However undaunted I will press on optimistically. (I secretly have the ambition to get just one picture in the magazine from the 8 or 10 or whatever rounds). It has been nice to have something interesting to make me take pictures, and nice that it moves me out of my comfort zone. This collection of candidates for the “inside a building” round were largely taken this month (13 of the 17), and that’s because my hard drive has very few suitable pictures in it. You learn new things when you are out of your comfort zone.

Anyway, please help me choose an entry from this list. I’ll send my entry in late Thursday night. The deadline is Friday.

 

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Thanks for your help.

PS. I still need to photograph people. Men, Women and others. Let me know if you would like to be a subject.

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Inside a building 2

I managed to get some time yesterday in the Kelvingrove museum in Glasgow. This is an amazing, classical building on a grand scale. Photographically the challenge is that the pictures have to be handheld as it is a busy museum and a tripod is considered a trip hazard for visitors. The light is low except through windows so the contrast is huge, a tripod would really help to do HDR as well as to cope with the long shutter speeds. Anyway, handheld it was!

This is the main entrance hall with its magnificent organ. They do regular recitals.

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Some people love this exhibition room with its bizzare heads, others hate it. I kind of like them.

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Another of the same room. The bare bulbs favoured by the curators are a photographic challenge; in low light they simply burn out in the picture.

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We are not amused.

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All of these are black and white as the mixture of tungsten spotlights and daylight windows is kind of horrible in colour.

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One of the two main entrances with its oh-so-macintosh look and feel. Poirot is just about to walk through the door.

 

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We all have a favourite thing in a museum. This is probably mine. A real Mk5 (I think) Spitfire from the Glasgow Squadron. The engine has been removed, but otherwise it is the real deal. With the taxidermy victims below, it is completely odd and out of place, but that’s kind of likeable.

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This corridor has my favourite portrait selection on it. But like all lines of archways it is just photographically an irresistible cliché.

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This is Stephenson in bronze. Classic author and unless the sculptor exaggerated, a striking man.

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On a technical note, I used my basic Sigma 10-20 ultra-wide zoom for many of these, and it is worth noting that the distortions introduced at the edges are kind of horrible. I suspect this is where Canon L lenses and other mortgage-requiring glassware really make a difference.

I’ll post a selection early this week and ask for your help with choosing for the “Inside a building” round of the APOY contest. Thanks for looking.

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Inside a Building

Well, this portrait photographer is trying something new again. It’s round 2 of the Amateur Photographer contest, “Inside a Building”, and I thought I would use it as an excuse again to try some new pictures. This weekend I snatched a moment or two in 2 shopping centres and a car park to catch some modern interior architecture.

This first is the wonderfully pointless, (and I’m not being sarcastic), plastic gubbins that the revamped St. Enoch centre has fitted just to show that the centre is designed, not just constructed. It blends exoskeletal themes, nautical/gill themes with male flower parts in plastic magnificently. It was all so busy that I removed the colour to allow the elements to separate out a bit.

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Of course by this time I had become rather taken with colour emphasis. This car park, (Q Park) in Glasgow is typical of modern design-to-a-budget, rather ugly, but adorned with something to cheer it up. In this case some natty red slats. Although I removed the other colour, they were way more colourful than anything else in the car-park-blandfest anyway. I was initially drawn to this scene because the church behind had a classical architecture and craftsmanship that contrasted strongly with the stark utilitarianism of the automotive domain. Apparently in writing this I have become all pompous like architects do…

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Finally, this is is a simple ceiling detail from the Braehead shopping centre in Renfrew. This is the joining corridor to one of the car-parks. I am genuinely impressed that the designers of these modern centres actually try to do something creative, and even beautiful within budgetary constraints. It is normal to poo-poo modern architecture, but the massive Braehead centre was never going to be built in hand carved stone with buttresses, gargoyles and pediments; given that, and remembering that this is just an access corridor, I think this is rather nice design.

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All taken with my fascinating, flawed and brilliant Sony NEX 5.

 

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Don

My friend and colleague Don and I were working on Bute recently. Although we had an intense time actually earning a living, we eventually managed to reward ourselves with a drive around what is a really amazing and under-visited island. This is Ettrick Bay, and the vague, looming landscape in the background is the isle of Arran in the Firth of Clyde. Don maintained that I tricked him into allowing a portrait, under pretence of simply stepping out of the car to enjoy the air. The slurry spreader working in an adjacent field gave lie to that fig-leaf instantly and I had to come clean and produce my camera. Anyway, a striking man I’m sure you’ll agree and great company.

Oh, and it’s that lens again. I wonder what the Sigma 30 1.4 is like. Would I like it as much as this trusty 28 f1.8. It is smaller, I wonder…..

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